The Taj Mahal was built in Agra, once the capital of the Mughal Empire during the 16th and early 18th centuries. Agra in the state of Uttar Pradesh, is one and a half hours by express train from New Delhi.
This most famous Mughal monument has been described as the most extravagant monument ever built for love.
Taj Mahal means "Crown Palace" and is in fact the most well preserved and architecturally beautiful tomb in the world.
The postcard picture of Taj Mahal does not adequately convey the legend, the poetry and the romance that shroud what Rabindranath Tagore calls "a teardrop on the cheek of time". It is best described by the English poet, Sir Edwin Arnold, as "Not a piece of architecture, as other buildings are, but the proud passions of an emperor's love wrought in living stones." It is a celebration of woman built in marble and that's the way to appreciate it.
Tourists from all over the world visit Agra not to see the ruins of the red sandstone fortress built by the Mughal emperors but to make a pilgrimage to Taj Mahal, India's most famous architectural wonder, in a land where magnificent temples and edificies abound to remind visitors about the rich civilization of a country that is slowly but surely lifting itself into an industrialized society.
Taj Mahal stands on the bank of River Yamuna, which otherwise serves as a wide moat defending the Great Red Fort of Agra, the center of the Mughal emperors until they moved their capital to Delhi in 1637. It was built by the fifth Mughal emperor, Shah Jahan in 1631 in memory of his second wife, Mumtaz Mahal, a Muslim Persian princess. She died while accompanying her husband in Burhanpur in a campaign to crush a rebellion after giving birth to their 14th child. The death so crushed the emperor that all his hair and beard were said to have grown snow white in a few months.
When Mumtaz Mahal was still alive, she extracted four promises from the emperor: first, that he build the Taj; second, that he should marry again; third, that he be kind to their children; and fourth, that he visit the tomb on her death anniversary. He kept the first and second promises. Construction began in 1631 and was completed in 22 years. Twenty thousand people were deployed to work on it. It was designed by the Iranian architect Istad Usa and it is best appreciated when the architecture and its adornments are linked to the passion that inspired it. It is a "symbol of eternal love".
The Taj rises on a high red sandstone base topped by a huge white marble terrace on which rests the famous dome flanked by four tapering minarets. The Taj Mahal is situated more than 900 ft. (275 m.) away from the entrance at the opposite end of the garden. The path is divided by a long watercourse in which the Taj is beautifully reflected. Towering almost 200 ft. (76m.) in height, the tomb stands on its own marble plinth, which rests on a red sandstone platform that serves to level the land as it slopes to the river. Four tall minarets rise up from the corners of the white marble plinth. They taper to a majestic height of 138 ft. and are crowned with eight windowed cupolas. elegantly accent the central structure, framing the space like the mounting of a jewel. Within the dome lies the jewel-inlaid cenotaph of the queen. So exquisite is the workmanship that the Taj has been described as "having been designed by giants and finished by jewellers". The only asymmetrical object in the Taj is the casket of the emperor which was built beside the queen's as an afterthought. The emperor was deposed by his son and imprisoned in the Great Red Fort for eight years but was buried in the Taj. During his imprisonment, he had a view of the Taj.
As a tribute to a beautiful woman and as a monument for enduring love, the Taj reveals its subtleties when one visits it without being in a hurry. The rectangular base of Taj is in itself symbolic of the different sides from which to view a beautiful woman. The main gate is like a veil to a woman's face which should be lifted delicately, gently and without haste on the wedding night. In Indian tradition the veil is lifted gently to reveal the beauty of the bride. As one stands inside the main gate of Taj, his eyes are directed to an arch which frames the Taj. The dome is made of white marble, but the tomb is set against the plain across the river and it is this background that works its magic of colours that, through their reflection, change the view of the Taj. The colours change at different hours of the day and during different seasons. Like a jewel, the Taj sparkles in moonlight when the semi-precious stones inlaid into the white marble on the main mausoleum catch the glow of the moon. The Taj is pinkish in the morning, milky white in the evening and golden when the moon shines. These changes, they say, depict the different moods of woman.
Different people have different views of the Taj but it would be enough to say that the Taj has a life of its own that leaps out of marble, provided you understand that it is a monument of love. As an architectural masterpiece, nothing could be added or subtracted from it.
The marble mausoleum is square in plan with chamfered corners. Each facade of the tomb is composed of a grand iwan framed by bands of calligraphy. The doorways inside these iwans are also adorned with calligraphy. The iwan is flanked on both sides by small double arches one over the other. They are rectangular while the arched alcoves of equal size at the angles of the tomb are semi-octagonal. Each section in the facade is well demarked on both sides by attached pilasters which rising from the plinth level of the tomb rise above the frieze and are crowned by beautiful pinnacles with lotus buds and finials. The pinnacles ornament the superstructure and help along with the other features to break the skyline gracefully.
The Taj Mahal is entered through the portal on the south side. Inside, two stories of eight rooms (four rectangular rooms on the sides and four octagonal small rooms at the corners) surround a central chamber. These rooms were originally used for the mullahs to chant the Koran and for Musicians who played soft Indians and Persian melodies. In this nine part plan, the visitor can circumambulate through the subsidiary rooms on each floor since they are interconnected. The central chamber is octagonal, and in the centre is the tomb of the queen and to one side is the casket of the emperor. The hall is 80 ft. high from the pavement to the soffit of the interior dome. This makes sound echo.
A bulbous white double-dome majestically crowns the Taj. The huge dome emphasises the monumentality of the structure as its pear shaped form sits on a tall drum. The height from the base of the drum to the top of the finial is almost 145 ft. (44 m.). The double domes fulfils various purposes. Besides providing a suitable and proportionate ceiling to the interior hall, it enabled the builder to raise the height of the outer dome as much as he desired in order to present a lofty and imposing effect. The space within the two domes is hollow and the inner cell reduces the weight of the dome. Four small kiosks clustered around the dome reduce the severity of the vertical emphasis.
The ornamental garden through which the paths lead are set out along the classical Mughal charbagh lines- a square quartered by watercourses. In the spring the flowerbeds of the paths are a profusion of colour. To the west is a small museum housing original architectural drawings of the Taj, arms, miniatures and some examples of celadon plates said to split into pieces or change colour if the food served on them contained poison.The precision and care which went into the Taj Mahal's design and construction is just as impressive whether you view it from across the river or from arm's length.
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